• About
    • Bio
    • Featured
    • Published
    • Reviewed
  • Poetry
    • Books
    • Poems
    • Recordings
    • Performances
  • Press
  • Connect
    • Get Bao
    • Community
  • News
    • Blog
    • Events
    • Galleries
  • ⌃

Bao Phi

~ Vietnamese American spoken word artist, writer and community activist

Bao Phi

Reviews of Bao Phi's Work

Jan 2012

more on:

Asian American poetry, Asian American Spoken Word, Asian Americans, Coffee House Press, Hyphen Magazine, Jane Y. Kim, Sông I Sing, spoken word, Vietnamese American poetry, Vietnamese Americans

There is a certain catalyzing style that comes of utter fearlessness, and the poet Bao Phi has cornered it with his debut poetry collection, Sông I Sing.

Jane Y. Kim, Hyphen magazine

Read the full review here.

Dec 2011

more on:

Asian American poetry, Asian Americans, Coffee House Press, Sông I Sing, spoken word, the New York Times reviews, Vietnamese American poetry, Vietnamese Americans

In this strong and angry work of what he calls refugeography, Bao Phi, who has been a performance poet since 1991, wrestles with immigration, class and race in America at sidewalk level… on this song of his very American self, every poem Mr. Phi writes rhymes with the truth.

read the full New York Times review here.

Dana Jennings, the New York Times

Dec 2011

more on:

Ly Vũ Hoàng, Pacific Reader Journal, Sông I Sing, spoken word, Vietnamese Americans

Bao Phi’s words are undeniably politically brave and brutally honest—a rarity of a voice much needed.

Ly Vũ Hoàng, Pacific Reader Journal Review

Tribalism’s Return: Bao Phi’s SÔNG I SING review by Professor Greg Choy

Dec 2011

more on:

Asian American Studies, Ethnic Studies, poetry, Professor Greg Choy, SÔNG I SING reviews, spoken word, Vietnamese Americans

George Uba reads the tribalism, in discursive Asian American poetry, as an ethnographic signifier of resistance to an oppressive and dominant culture, as anti-assimilationist, as privileging the oral over the written, and as more embracing of the polemic than the poetic—all descriptors that resonate through Bao Phi’s poetry…

Professor Greg Choy, Department of Ethnic Studies at UC Berkeley
Read the full review here.

CALL AND RESPONSE—A REVIEW OF BAO PHI’S ‘SÔNG I SING’

Dec 2011

more on:

Asian Americans, diaCRITICS, Song I Sing review, spoken word poetry, Vietnamese Americans

Bao Phi’s long-awaited debut collection Sông I Sing brings poetry back to the people like nothing else I’ve seen in Vietnamese American culture.

Julie Thi Underhill
Read the full review by Julie Thi Underhill here.

Guante.info

Sep 2011

more on:

Guante, Sông I Sing

The result is an incredibly emotional journey through the issues that Bao explores—but it’s emotion that’s grounded in quality writing and thoughtful political analysis, not just raw melodrama.

[ Guante, Hip Hop artist -- via Guante.info ]

Bao’s debut collection, “Sông I Sing,” hit me in a different way. The poems here, at least to me, read like spoken-word pieces, and Bao’s understanding of structure and emotional arcs mirrors some of the tricks that we use in the slam world—for example, each of the poems in this collection has a knock-out last line. The result is an incredibly emotional journey through the issues that Bao explores—but it’s emotion that’s grounded in quality writing and thoughtful political analysis, not just raw melodrama. Again, that’s no small feat. If Bao ever decided to re-enter the slam world, I think he’d kick all our asses.

The highlight here is probably the section called “The Nguyêns,” a brilliant and even-more-brilliantly-realized concept that looks at over a dozen unrelated characters all with the same last name. These characters each own their culture(s) and struggle with their identities in different ways, and the result is a moving (in both senses of the word), impressionistic portrait of Vietnamese America. Other poems like “Race,” “Giving My Neighbor a Ride to Her Job” and more talk about race and racism in this country in a way that is eloquent yet unforgiving, righteously angry yet never once weighed down by the sensational histrionics associated with so much spoken-word.

The best poetry is transformative—it breaks you down, changes you, makes you see the world in a new way. “Sông I Sing” does that as well as any poetry book I’ve ever read. It’s gorgeously angry, laugh-out-loud funny and I even teared up a couple of times while reading it. And again, don’t take my word for it—Jeff Chang, David Mura and Li-Young Lee all loved it too. Here’s a purchase link.

I hope you’ll check out both of these collections. They both remind me what poetry is capable of, and give me inspiration to keep writing, reading, listening and communicating. Maybe they will for you too.

Yen Le Espiritu

Sep 2011

more on:

Sông I Sing

Jagged yet tender, Bao Phi’s poetry mixes rough-edged critiques of racism and imperialism with resolute optimism in the power of love and community. Deeply grounded in Asian American Studies, it eloquently calls for the forging of new ties and lives out of the ruins of America’s ‘war zones’—both here in urban America and in Southeast Asia.

— Yen Le Espiritu

Li-Young Lee

Aug 2011

more on:

Sông I Sing

Anyone who has been lucky enough to experience his work knows he means to re-adjust our minds, unseat our comfortable assumptions, and teach our hearts to weep and sing. He is our grief-stricken brother howling, moaning, and wailing in remembrance of those who suffer because of inadequate representation. He is our ecstatic shaman, manifesting through his work the oldest sources of passion, imagination, and cosmic joy. Sông I Sing is a gift.

—Li-Young Lee, author of Behind My Eyes

Ishle Park

Nov 2002

more on:

Ishle Park, Refugeography

If you listen closely, every poem on Bao’s CD is a love poem: rough-edged, raw, and scalding, or quiet enough to break your heart. Much will be said about his fearless politics and his power, but his words are also threaded with humor, humanity, and beauty – my brother is on a mission to keep us all knit tight, and to remind us how we are quilted together in this cold country. Buy this CD. It will keep you warm at night.

- Ishle Park, Def Poetry Jam star and Poet Laureate of Queens, NY

Dwight Hobbes

Nov 2000

City kids have a hard, often despairing way to go: Thien-bao Phi delivers a lyrical testament to how they do it and still find magic in their world.

- Dwight Hobbes, Pulse

← Older posts

BAO PHI

Vietnamese American spoken word artist,
writer and community activist

RSS Bao at the ★Trib

  • Doggone
  • The race card and stacked decks
  • The Spin on Your World
  • I Got My...
  • Celebrating Courage
  • Homefront: a game that stirs up yellow peril?
  • Anti-Bullying Flashmob

Connect

  • bookings and requests:
    get@baophi.com
  • web design feedback:
    web@baophi.com
  • everything else:
    info@baophi.com

Search

Browse

Alexandra Wallace Asian American poetry Asian Americans Asian American Spoken Word Beau Sia Chamindika Wanduragala chapbook Cisneros Coffee House Press David Huang Def Poetry Denizen Kane diaCRITICS Douglas Kearney Ed Bok Lee Emily Chang Flares Fukushima 50 Hyphen Magazine Ishle Park Jane Kim Jin José James Juliana Hu Pegues Larry Lucio Jr. liner notes Magnetic North Mike Honda Nicole Erickson Phloe Q & A Refugeography Seng Chen spoken word StarTribune Su-Yoon Ko Sylvia Quan La Sông I Sing Taiyo Na Theresa Vu video Vietnamese American poetry Vietnamese Americans Wing Young Huie Yuri Kochiyama

Bao Phi © 2012 ★ Site Styled by Swash Design Studio