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Bao Phi

~ Vietnamese American spoken word artist, writer and community activist

Bao Phi

More on Sông I Sing

Bay Area 2012

2012

more on:

Asian American poetry, Asian American Spoken Word, Asian American Studies, DVAN, Sông I Sing, spoken word, Vietnamese American poetry, Vietnamese Americans

Hello all, I am proud to be reading as a part of two events in the Bay area this weekend. Each event has plenty of awesome Vietnamese American artists participating, not just me. Here is the info:

Friday, April 27, California and Beyond: Vietnamese American Artists and Writers Symposium, Stanford University, Stanford Humanities Center, 424 St. Teresa St.

Link here

Saturday, April 28, 7pm Diasporic Vietnamese Artists Network’s SF Vietnamese American Literary and Art Festival, Reading and Signing, African American Arts and Culture Complex, 762 Fulton Street, San Francisco, CA

Link here

2012

more on:

Asian American poetry, Asian American Spoken Word, Asian Americans, Coffee House Press, Hyphen Magazine, Jane Y. Kim, Sông I Sing, spoken word, Vietnamese American poetry, Vietnamese Americans

There is a certain catalyzing style that comes of utter fearlessness, and the poet Bao Phi has cornered it with his debut poetry collection, Sông I Sing.

Jane Y. Kim, Hyphen magazine

Read the full review here.

Chúc mừng năm mới!

2012

more on:

Asian American Spoken Word, Best of 2011, Coffee House Press, diaCRITICS, Hyphen Magazine, Jeff Yang, Sông I Sing, Vietnamese American poetry, Vietnamese Americans

Chúc mừng năm mới, everyone – wishing you a powerful, beautiful Year of the Dragon.

I’ve been honored with another wonderful review, from the good people at the Asian American magazine Hyphen. Read it here

Also a good mention of the book at Publisher’s Weekly. Congrats to Coffee House Press! Here Thank you all for supporting the book – the sales number is ridiculous, and a wonderful surprise.

Then, last but not least, we’ve made two “best of 2011″ lists. One by O.G. Asian American journalist and blogger Jeff Yang here.

And the interview of me by Kim-An Lieberman for diaCRTICS made it onto editor Viet Nguyen’s top posts of 2011 here.

Thanks to everyone for the amazing level of support. Peace.

2011

more on:

Asian American poetry, Asian Americans, Coffee House Press, Sông I Sing, spoken word, the New York Times reviews, Vietnamese American poetry, Vietnamese Americans

In this strong and angry work of what he calls refugeography, Bao Phi, who has been a performance poet since 1991, wrestles with immigration, class and race in America at sidewalk level… on this song of his very American self, every poem Mr. Phi writes rhymes with the truth.

read the full New York Times review here.

Dana Jennings, the New York Times

2011

more on:

Ly Vũ Hoàng, Pacific Reader Journal, Sông I Sing, spoken word, Vietnamese Americans

Bao Phi’s words are undeniably politically brave and brutally honest—a rarity of a voice much needed.

Ly Vũ Hoàng, Pacific Reader Journal Review

All Good Peeps

2011

more on:

Asian American poetry, Land of Gazillion Adoptees, Psychology Today, Sông I Sing, spoken word, Vietnamese American poetry, Vietnamese Americans

I’ve been fortunate in that a lot of good people have been saying good things about my book.

First off, a very talented fellow Vietnamese American artist and community organizer whom I have a lot of respect for, and whom I am lucky to call friend, Sahra Nguyen.

Also Kevin Ost-Vollmers was kind enough to devote some space to an interview with me on his awesome blog, Land of a Gazillion Adoptees.

And last but not least, Dr. Ravi Chandra, a fine poet who recently released a dope chapbook himself, wrote about my book on Psychology Today’s website, of all places! Hey, I’m just glad that it’s a positive review of my book on there by brother Ravi, and not an analysis of my psyche.

Ed Bok Lee x Bao Phi: Book Launch

2011

more on:

Coffee House Press, Ed Bok Lee, Sông I Sing

If you see Bao Phi coming, you better do a gut check, and set your motherboard to receive. Anyone who has been lucky enough to experience his work knows he means to re-adjust our minds, unseat our comfortable assumptions, and teach our hearts to weep and sing. He is our grief-stricken brother howling, moaning, and wailing in remembrance of those who suffer because of inadequate representation.  He is our ecstatic shaman, manifesting through his work the oldest sources of passion, imagination, and cosmic joy. Sông I Sing is a gift. Thank you, Bao Phi.

- Li-Young Lee

Sông I SingSaturday, September 24, 2011
8:00pm – 10:00pm
Minneapolis Central Library
300 Nicollet Mall
Minneapolis, MN

Free and open to the public.
Seating is first come, first served.
Doors open at 45 minutes in advance of program with a book sale and wine reception. Book signing and desserts follows program.

Celebrate the launch of new poetry collections by Ed Bok Lee and Bao Phi, two of the Twin Cities’ most dynamic poets on the national Asian American literary and spoken word scene. In “Whorled,” Ed Bok Lee looks toward a global future, one where the dividing lines between state, religion, race, history, and culture have been blurred to the extent that the very idea of difference requires a new understanding. In Bao Phi’s “Sông I Sing,” the Twin Cities provides the backdrop to a rhythmic exploration of the contradictions of race and class in America. Emceed by multidisciplinary artist and spoken word performer Shá Cage, the program will feature a performance and conversation by the poets and music by DJ Nak.

  • rsvp and see who’s coming: here
  • more info: www.supporthclib.org or 612-543-8107

Co-sponsored by Coffee House Press, Graywolf Press, Milkweed Editions, and Magers and Quinn Booksellers.

Local presses and the public library have always had a shared mission to inform and inspire people to read. As collaborative crusaders in nurturing and celebrating the written word, it seemed only logical that we join together to promote the literary arts.

Guante.info

Sep 2011

more on:

Guante, Sông I Sing

The result is an incredibly emotional journey through the issues that Bao explores—but it’s emotion that’s grounded in quality writing and thoughtful political analysis, not just raw melodrama.

[ Guante, Hip Hop artist -- via Guante.info ]

Bao’s debut collection, “Sông I Sing,” hit me in a different way. The poems here, at least to me, read like spoken-word pieces, and Bao’s understanding of structure and emotional arcs mirrors some of the tricks that we use in the slam world—for example, each of the poems in this collection has a knock-out last line. The result is an incredibly emotional journey through the issues that Bao explores—but it’s emotion that’s grounded in quality writing and thoughtful political analysis, not just raw melodrama. Again, that’s no small feat. If Bao ever decided to re-enter the slam world, I think he’d kick all our asses.

The highlight here is probably the section called “The Nguyêns,” a brilliant and even-more-brilliantly-realized concept that looks at over a dozen unrelated characters all with the same last name. These characters each own their culture(s) and struggle with their identities in different ways, and the result is a moving (in both senses of the word), impressionistic portrait of Vietnamese America. Other poems like “Race,” “Giving My Neighbor a Ride to Her Job” and more talk about race and racism in this country in a way that is eloquent yet unforgiving, righteously angry yet never once weighed down by the sensational histrionics associated with so much spoken-word.

The best poetry is transformative—it breaks you down, changes you, makes you see the world in a new way. “Sông I Sing” does that as well as any poetry book I’ve ever read. It’s gorgeously angry, laugh-out-loud funny and I even teared up a couple of times while reading it. And again, don’t take my word for it—Jeff Chang, David Mura and Li-Young Lee all loved it too. Here’s a purchase link.

I hope you’ll check out both of these collections. They both remind me what poetry is capable of, and give me inspiration to keep writing, reading, listening and communicating. Maybe they will for you too.

Song I Sing

2011

more on:

David Mura, Douglas Kearney, Jeff Chang, Li-Young Lee, Sông I Sing, Yen Le Espiritu

Sông I Sing

Cover art by Binh Danh

Now Available

→ Designed, published and available for purchase via Coffee House Press.

A rhapsodic exploration of immigration, race, and class by Vietnamese American phenom and National Poetry Slam star Bao Phi.

Dynamic and eye-opening, this debut by a National Poetry Slam finalist critiques an America sleepwalking through its days and explores the contradictions of race and class in America.

Excerpt

From “Prince Among Men”

When it feels like no one
lets you live
at your own volume
You sing.

Keep Reading →

Yen Le Espiritu

Sep 2011

more on:

Sông I Sing

Jagged yet tender, Bao Phi’s poetry mixes rough-edged critiques of racism and imperialism with resolute optimism in the power of love and community. Deeply grounded in Asian American Studies, it eloquently calls for the forging of new ties and lives out of the ruins of America’s ‘war zones’—both here in urban America and in Southeast Asia.

— Yen Le Espiritu

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BAO PHI

Vietnamese American spoken word artist,
writer and community activist

RSS Bao at the ★Trib

  • Letters Home: the shootings at the Sikh Gurdwara in Oak Creek, Wisconsin
  • Lin. Sanity.
  • Vincent Chin: 30 Years Later
  • HaiCOUP: a fieldguide in guerrilla (po)ethic
  • Doggone
  • The race card and stacked decks
  • The Spin on Your World

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